Sam Berkson on Slam poet cliche’s and how (maybe) to avoid them . . .
I saw someone share Canadian poet Chris Gilpin’s blog from last year arguing that we need to avoid “adopting the term ‘slam poet’”. Slam poetry, he says, is not a ‘genre’. It’s a way of running an open mic and it’s an international movement, emerging historically with the aim of freeing poetry from the “elite cultural gatekeepers”. It is excellent critique and I hope it is read far and wide by young poets who engage in live performance. Gilpin complains:
“Aspiring slam participants (and apparently even those who have no interest in participating) … copy the most obvious elements of performance cliché—yelling, speed, tones of distress, waving their arms—believing that they are correctly recreating a cool, new poetic style. In this way, the idea of slam poetry has crushed a great deal of artistic self-expression, encouraging poets to conform to something they can’t even define.”
The fact that he can…
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